Beamship Sounds - Revision history

Earth Human Being: Text replacement - "traveling" to "travelling"

2023-08-25T06:18:50Z

Text replacement - "traveling" to "travelling"

← Older revision		Revision as of 06:18, 25 August 2023
Line 20:		Line 20:
	# The wave shape was also constantly changing in a random, periodic rhythm that caused a characteristic beat. The wave pattern in the oscilloscope showed this constant and random shift in frequency, in which the principal waves of all frequencies came together in perfect synchronization at one moment, only to travel at the next moment in different directions and stages, thereby generating different patterns-at one moment seemingly moving in a cluster in one direction and, at the next moment, in the other direction. Then they gradually expanded until, for one moment, they formed a mutually precise and evenly distributed pattern, only then to move again into different relationships. Although these changes appeared to be random and were not repeated in a particular order, they always appeared in geometric relationship to one another.<br />		# The wave shape was also constantly changing in a random, periodic rhythm that caused a characteristic beat. The wave pattern in the oscilloscope showed this constant and random shift in frequency, in which the principal waves of all frequencies came together in perfect synchronization at one moment, only to travel at the next moment in different directions and stages, thereby generating different patterns-at one moment seemingly moving in a cluster in one direction and, at the next moment, in the other direction. Then they gradually expanded until, for one moment, they formed a mutually precise and evenly distributed pattern, only then to move again into different relationships. Although these changes appeared to be random and were not repeated in a particular order, they always appeared in geometric relationship to one another.<br />
	<br />		<br />
	Two other sound engineers and a synthesizer sound specialist joined the analysis team, and the sounds were reexamined, this time for possible duplication. All of these specialists agreed that the character of the sounds was unique and that any type of synthesis, if in fact such was possible, could produce only portions of the recordings we had examined and that duplicating only part of the sounds, even in a short linear segment, would be impossible. The number of ~~traveling~~ and constantly shifting discrete frequencies and constantly changing amplitudes, which were shifting in relative dominance, exhibited duplication problems that exceed the abilities of a current state-of-the-art device!"<br />		Two other sound engineers and a synthesizer sound specialist joined the analysis team, and the sounds were reexamined, this time for possible duplication. All of these specialists agreed that the character of the sounds was unique and that any type of synthesis, if in fact such was possible, could produce only portions of the recordings we had examined and that duplicating only part of the sounds, even in a short linear segment, would be impossible. The number of travelling and constantly shifting discrete frequencies and constantly changing amplitudes, which were shifting in relative dominance, exhibited duplication problems that exceed the abilities of a current state-of-the-art device!"<br />
	<br />		<br />
	Sources: Lt. Col. Wendelle C. Stevens: "UFO contact from the Pleiades, A Preliminary Investigation Report"; "A Supplementary Investigation Report"; Ing. Alfred Buberl: "Worauf warten wir noch?" (What Are We Waiting For?)		Sources: Lt. Col. Wendelle C. Stevens: "UFO contact from the Pleiades, A Preliminary Investigation Report"; "A Supplementary Investigation Report"; Ing. Alfred Buberl: "Worauf warten wir noch?" (What Are We Waiting For?)

Earth Human Being: Text replacement - "analyze" to "analyse"

2022-03-08T11:54:02Z

Text replacement - "analyze" to "analyse"

Daniel Leech: /* Excerpt from Billy Meier Saken */

2019-01-13T17:10:09Z

Excerpt from Billy Meier Saken

← Older revision		Revision as of 17:10, 13 January 2019
Line 80:		Line 80:

	==Excerpt from Billy Meier Saken==		==Excerpt from Billy Meier Saken==
	<Small>Source: meiersaken.info/~~spacecrafts~~</small>		<Small>Source: http://www.meiersaken.info/Spacecrafts.html</small>

	----		----

Daniel Leech: /* Excerpt from Billy Meier Saken */

2019-01-13T17:09:43Z

Excerpt from Billy Meier Saken

Daniel Leech: /* Excerpt from Light Years by Gary Kinder */

2019-01-13T17:07:27Z

Excerpt from Light Years by Gary Kinder

← Older revision		Revision as of 17:07, 13 January 2019
Line 78:		Line 78:

	"I was being very skeptical from a scientific viewpoint," Rognerud said later, "but the sounds were unusual."		"I was being very skeptical from a scientific viewpoint," Rognerud said later, "but the sounds were unusual."

			==Excerpt from Billy Meier Saken==
			<Small>Source: meiersaken.info/spacecrafts</small>

			----


			Recording of beamship-sound (Aufnahme vom Strahlschiff-Sirren)

			16. April 1976

			Reference Zeugenbuch (2001) page 68 to 70

			Atlantis Sokrates Meier state in the witness book that he was six years old in 1976 and the Good Friday on the 16th of April 1976 was to become a very special day for him, which he remember very well to this day he writes. Weatherwise the sky was lightly overcast but no rain. This is something he remembers very precise because the rather dismal weather conditions were associated to a very special memory of an experience which greatly impressed him. Witnesses of the experience were also his sister Gilgamesha and his brother Metusalem as wells as his mother, Hans Schutzbach and Amalie (Amata) Stetter.

			This event is about an experience where also the cantonal police appeared to inquire about what was occurring – The circumstances were as follows: While living in Wihaldenstrasse 10, in 8340 Hinwil, his father <Billy> Eduard A.Meier told his mother as well as Hans Schutzbach and Amata Stetter that he would proceed to an area called Frecht, outside of Hinwil, with a tape recorder, because he was going to make recordings of the buzzing-sound of Semjase’s beam ship there, as he had just been informed telepathically by the beam ship pilot.

			He therefore prepared his tape recorder whereby Atlantis saw how he ripped open the packaging of a new audio cassette and inserted the tape into the recorder which Hans Schutzbach took and asked if all of them could come along to the recording location. On the answer in the affirmative from his father, he and the two other children, his mother and Amanda Stetter stepped into Hans Schutzbach’s car in which they drove behind their father, who travelled in front with his moped.

			When they arrived in the Frecht area, about two kilometre outside of Hinwil, they got out of the car and walked together with his father about 150 meter into the somewhat swampy area where they were instructed to wait whilst his father received the tape recorder from Hans Shutzbach and walked towards a pile of wood about 50 to 60 meters away, which towered about one meter above the ground. Atlantis then saw, as did the others, that he placed the recorder on a thick pole and pressed a button.

			For three or four minutes nothing happened, which is why Atlantis run after him and asked why he had placed the tape recorder on the massive pole. He explained to him that he wanted to record the buzzing sound from Semjases’s beam ship this way. Atlantis at the time did not yet understand his words as he did not know what he was to understand from the word <buzzing> sound. But his explanation satisfied him wherefore he went back to mother, his sister and brother, Hans Schutzbach and Amata Stetter.

			Then it happened: With a deafening volume, from high above his father sounded a powerful sound – the buzzing sound from the beam ship, as it had been previously announced. Immediately after the sound started resonating painfully in his ears, from a farm about 200 meters away sounded a painful and very loud howling of a dog, which shortly after changed into a tormented barking, just like when an animal is scared to death. That, he was able to in particular remember because the dog not only barked, but it howled and yelped real depressingly. He therefore somehow felt a painful fear inside which is why he turned to his mother and said that hopefully the dog would not break loose, run over to where they were and attack them.

			The whole thing lasted about 15 to 20 minutes even though everything appeared to him to last longer. Shortly before the tape recording ended, a police car appeared on the meadow road from which two canton policemen climbed out and came over to them with fast steps in order to examine the cause of the buzzing noise. They shouted harshly at them what was going on there, what type of sound the buzzing was etc.

			Almost simultaneously swooped two jet fighter planes, belonging to the Swiss air force, from under the clouds, for repeatedly to fly crisscross over the area, quite obviously to inspect the area and to determine if there was anything contemptuous they could catch sight of or photograph. But then
			the tremendous buzzing noise also fell silent, as abruptly as it started. He was still able to remember with that how the sudden silence ached in his head, as obviously was the case with the others, in any case Hans Schutzback slapped his flat hands on to his ears, as did his mother.

			After a short sparring match with Hans Schutzbach and his mother the two police men left again. After that the jet planes also disappeared. His father then came with the tape recorder in his hand which he gave to Hans Schutzbach and went to his moped, while he and the others again went to the car and drove behind their father home. As Atlantis learned years later, this incident – the appearance of both the police men as well as the jet planes chasing aground and the loud noise of the buzzing – was denied by the respective authorities in charge.

			A comment:

			The fact that the Swiss air force also in this instance scrambled jet fighters to the area where the demonstration took place indicates that each time the space ship open up its shield, to become visible or auditable, it also get picked up on radar. The same thing happened on the 14th of April 1976 when a Mirage jet fighter chased around Semjases’s beam ship as she was performing a demonstration flight for Meier, at which time the shield making it invisible obviously was deactivated for photographic purposes.

	==Source==		==Source==

Daniel Leech at 15:15, 26 September 2018

2018-09-26T15:15:12Z

@@ Line 55: / Line 55: @@
 In this study, no consistency of the targeted sound of the spaceship was discovered in the ‘sound archives'.<br />
 <br />
 ==Source==

Jamesm at 17:02, 28 May 2018

2018-05-28T17:02:34Z

← Older revision		Revision as of 17:02, 28 May 2018
Line 2:		Line 2:
	==Semjase's Beamship During a Demonstration Flight==		==Semjase's Beamship During a Demonstration Flight==

	~~<mediaplayer>~~File:Beamship sounds.mp3~~</mediaplayer>~~<br />		[[File:Beamship sounds.mp3]]<br />
	<br />		<br />
	Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyzer (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analyzed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />		Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyzer (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analyzed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />

Jamesm: /* Semjase's Beamship During a Demonstration Flight */

2014-02-28T20:53:53Z

Semjase's Beamship During a Demonstration Flight

← Older revision		Revision as of 20:53, 28 February 2014
Line 2:		Line 2:
	==Semjase's Beamship During a Demonstration Flight==		==Semjase's Beamship During a Demonstration Flight==

	<~~mp3~~>Beamship sounds.mp3</~~mp3~~><br />		<mediaplayer>File:Beamship sounds.mp3</mediaplayer><br />
	<br />		<br />
	Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyzer (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analyzed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />		Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyzer (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analyzed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />

Jamesm: /* Source */

2010-11-25T01:01:33Z

Source

← Older revision		Revision as of 01:01, 25 November 2010
Line 59:		Line 59:

	* http://www.theyfly.com/PDF/UFOSoundRecordings.pdf		* http://www.theyfly.com/PDF/UFOSoundRecordings.pdf

			==Further Reading==


			* [[Beamship Spectrogram Comparison]]

Schantz: /* Semjase's Beamship During a Demonstration Flight */

2009-12-14T17:16:24Z

Semjase's Beamship During a Demonstration Flight

← Older revision		Revision as of 17:16, 14 December 2009
Line 2:		Line 2:
	==Semjase's Beamship During a Demonstration Flight==		==Semjase's Beamship During a Demonstration Flight==

	<mp3>~~UFO~~ sounds.mp3</mp3><br />		<mp3>Beamship sounds.mp3</mp3><br />
	<br />		<br />
	Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyzer (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analyzed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />		Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyzer (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analyzed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />

← Older revision		Revision as of 11:54, 8 March 2022
Line 4:		Line 4:
	[[File:Beamship sounds.mp3]]<br />		[[File:Beamship sounds.mp3]]<br />
	<br />		<br />
	Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum ~~analyzer~~ (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and ~~analyzed~~ a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />		Another sound analysis that was filmed with professional cameras on high-grade 16 mm film was performed in the Excalibur Studios in Studio City, California. There, Nils Rognerud and Steve Singer, sound engineers and designers of electronic systems, worked on a Hewlett Packard spectrum analyser (Model 3580) that contained a memory unit, a dual-channel oscilloscope, a multi-track mixer with amplitude output, and a full-frequency sound-control panel; they studied and analysed a 30-second segment of the aforementioned sounds and a longer segment of the spaceship sounds that were recorded in front of fifteen witnesses.<br />
	<br />		<br />
	This tape recording was made on July 7, 1980, in Ober-Sädelegg, Switzerland. There, the sounds of the new Variant III ship were recorded for forty-eight minutes in front of fifteen witnesses with a total of four cassette recorders. Meier had three recorders with him: an Aiwa with an audio suppression unit, in order to prevent distortions of the excessive decibels by means of limiting, as well as two smaller and cheaper portable cassette recorders without volume suppression. Meier positioned himself approximately sixty to eighty meters below the point from which the sounds in the sky appeared to come.<br />		This tape recording was made on July 7, 1980, in Ober-Sädelegg, Switzerland. There, the sounds of the new Variant III ship were recorded for forty-eight minutes in front of fifteen witnesses with a total of four cassette recorders. Meier had three recorders with him: an Aiwa with an audio suppression unit, in order to prevent distortions of the excessive decibels by means of limiting, as well as two smaller and cheaper portable cassette recorders without volume suppression. Meier positioned himself approximately sixty to eighty meters below the point from which the sounds in the sky appeared to come.<br />
Line 41:		Line 41:
	Jim Dilettoso, our research consultant, took samples of this noise to Peter Gimer and Rick Coupland of Micor in San Francisco. There they performed tests in the audible range, from 20 Hz to 2000 HZ. They found twenty-four characteristic frequencies within the audible range and eight outside of it. They found all thirty-two frequencies concurrently at different amplitudes and volumes. All thirty-two tones are somehow produced simultaneously. In a time matrix, the amplitude of some frequencies increases, while that of others decreases. It was observed that the amplitude periodically increased by ca. fifty decibels and then decreased by ca. forty, and at other times, just the opposite was the case, which produced the characteristic beat that was audible. Other normal sounds were audible on the recording, but there were no signs of a tone-on-tone tape dubbing. All frequencies were clear and stable, and they were regularly lined up along the frequency scale.<br />		Jim Dilettoso, our research consultant, took samples of this noise to Peter Gimer and Rick Coupland of Micor in San Francisco. There they performed tests in the audible range, from 20 Hz to 2000 HZ. They found twenty-four characteristic frequencies within the audible range and eight outside of it. They found all thirty-two frequencies concurrently at different amplitudes and volumes. All thirty-two tones are somehow produced simultaneously. In a time matrix, the amplitude of some frequencies increases, while that of others decreases. It was observed that the amplitude periodically increased by ca. fifty decibels and then decreased by ca. forty, and at other times, just the opposite was the case, which produced the characteristic beat that was audible. Other normal sounds were audible on the recording, but there were no signs of a tone-on-tone tape dubbing. All frequencies were clear and stable, and they were regularly lined up along the frequency scale.<br />
	<br />		<br />
	A portion of these recordings was also given to Robin L. Shellman, an undersea sound technician, who studied them with a spectrum ~~analyzer~~ (a state-of-the-art device) built by Spectro Dynamics in San Diego. The demodulation showed that one must be dealing with a rotating device-249.6 U/min. modulated at 4.16 Hz.<br />		A portion of these recordings was also given to Robin L. Shellman, an undersea sound technician, who studied them with a spectrum analyser (a state-of-the-art device) built by Spectro Dynamics in San Diego. The demodulation showed that one must be dealing with a rotating device-249.6 U/min. modulated at 4.16 Hz.<br />
	<br />		<br />
	The high-speed device produced a sound that began at 520 Hz and increased in steps up to 990 Hz, only then to decrease again down to 520 Hz in the same frequency steps. The tonal groups comprising 520 Hz disappeared together at 520 Hz and reappeared at 600 Hz, only to disappear again at 720 Hz. At 990 Hz, however, they reappeared and were very strong. The same occurred in the other direction. The condition remained stable for a moment and then shifted again. This shift was somehow random, but nevertheless constant. At certain times, the high-speed device was still, and a deep, throbbing beat was audible; and then the high-speed rotation began again, and the sound increased rapidly to a high vibrating crescendo in the upper 50,000 U/min. range or higher. Simultaneously, the slower 249.6 U/min rotation again became audible. The vibration was produced by the high-speed rotation of approximately 29,000 U/min., which accelerated to over 59,000 U/min. This was most certainly not a normal sound!<br />		The high-speed device produced a sound that began at 520 Hz and increased in steps up to 990 Hz, only then to decrease again down to 520 Hz in the same frequency steps. The tonal groups comprising 520 Hz disappeared together at 520 Hz and reappeared at 600 Hz, only to disappear again at 720 Hz. At 990 Hz, however, they reappeared and were very strong. The same occurred in the other direction. The condition remained stable for a moment and then shifted again. This shift was somehow random, but nevertheless constant. At certain times, the high-speed device was still, and a deep, throbbing beat was audible; and then the high-speed rotation began again, and the sound increased rapidly to a high vibrating crescendo in the upper 50,000 U/min. range or higher. Simultaneously, the slower 249.6 U/min rotation again became audible. The vibration was produced by the high-speed rotation of approximately 29,000 U/min., which accelerated to over 59,000 U/min. This was most certainly not a normal sound!<br />
Line 68:		Line 68:

	Shrill and unnatural, seeming to echo from within as it rose and fell, the sound, though loud, seemed almost pleasant to Eva's ears. Her child did not cry, but only craned his neck and blinked his eyes and listened.		Shrill and unnatural, seeming to echo from within as it rose and fell, the sound, though loud, seemed almost pleasant to Eva's ears. Her child did not cry, but only craned his neck and blinked his eyes and listened.
	For years Dilettoso had worked at creating sound using digital sound synthesizers; whereas analyzing photos involved techniques new to him, he understood the analysis of sound. Through a former employer, Micor Corporation, he arranged one evening to examine the recording with a digital audio ~~analyzer~~. But after taking the sounds apart he could not figure out how to duplicate them.		For years Dilettoso had worked at creating sound using digital sound synthesizers; whereas analyzing photos involved techniques new to him, he understood the analysis of sound. Through a former employer, Micor Corporation, he arranged one evening to examine the recording with a digital audio analyser. But after taking the sounds apart he could not figure out how to duplicate them.

	"That was the point at which I was blown away," he said. "To the ear they don't sound that unusual. It sounds like what you'd expect a sci-fi flying saucer to sound like. But upon analysis, they're continually shifting and changing, and combinations of them are getting louder and softer and doing things at such a rapid rate that even with a synthesizer being able to generate that many sounds it would be really, really complex."		"That was the point at which I was blown away," he said. "To the ear they don't sound that unusual. It sounds like what you'd expect a sci-fi flying saucer to sound like. But upon analysis, they're continually shifting and changing, and combinations of them are getting louder and softer and doing things at such a rapid rate that even with a synthesizer being able to generate that many sounds it would be really, really complex."

	But needing independent verification, Dilettoso sent the tape to Rob Shellman, a sound engineer with the United States Navy sonar sound laboratory in Groton, Connecticut. Also intrigued with their complexity, Shellman immediately eliminated one major possibility: Meier could not have used any electrical AC source to create the sounds.		But needing independent verification, Dilettoso sent the tape to Rob Shellman, a sound engineer with the United States Navy sonar sound laboratory in Groton, Connecticut. Also intrigued with their complexity, Shellman immediately eliminated one major possibility: Meier could not have used any electrical AC source to create the sounds.
	The equipment was set up to ~~analyze~~ for 50 or 60 hz ute frequencies, which are common electrical outlets." Shellman wrote to Dilettoso. "If the device that generates the sound was an electric motor or machine the line frequencies would be evident. No such frequencies were detected."		The equipment was set up to analyse for 50 or 60 hz ute frequencies, which are common electrical outlets." Shellman wrote to Dilettoso. "If the device that generates the sound was an electric motor or machine the line frequencies would be evident. No such frequencies were detected."

	Seeking further verification of what seemed to be an unusual recording, Stevens located in Los Angeles an electronics consultant and computer engineer, Nils Rognerud. A designer with a large electronics firm, Rognerud took the tape to a sound lab and converted the sounds to wavy lines on a spectrum ~~analyzer~~. As he watched, the various frequencies vibrated up and down across the screen, converged into a thick zigzag, then split apart and converged again.		Seeking further verification of what seemed to be an unusual recording, Stevens located in Los Angeles an electronics consultant and computer engineer, Nils Rognerud. A designer with a large electronics firm, Rognerud took the tape to a sound lab and converted the sounds to wavy lines on a spectrum analyser. As he watched, the various frequencies vibrated up and down across the screen, converged into a thick zigzag, then split apart and converged again.

	"I was being very skeptical from a scientific viewpoint," Rognerud said later, "but the sounds were unusual."		"I was being very skeptical from a scientific viewpoint," Rognerud said later, "but the sounds were unusual."

← Older revision		Revision as of 17:09, 13 January 2019
Line 84:		Line 84:
	----		----

			Recording of beamship-sound (Aufnahme vom Strahlschiff-Sirren)

	~~Recording of beamship-sound (Aufnahme vom Strahlschiff-Sirren)~~

	16. April 1976		16. April 1976


	Reference Zeugenbuch (2001) page 68 to 70		Reference Zeugenbuch (2001) page 68 to 70


	Atlantis Sokrates Meier state in the witness book that he was six years old in 1976 and the Good Friday on the 16th of April 1976 was to become a very special day for him, which he remember very well to this day he writes. Weatherwise the sky was lightly overcast but no rain. This is something he remembers very precise because the rather dismal weather conditions were associated to a very special memory of an experience which greatly impressed him. Witnesses of the experience were also his sister Gilgamesha and his brother Metusalem as wells as his mother, Hans Schutzbach and Amalie (Amata) Stetter.		Atlantis Sokrates Meier state in the witness book that he was six years old in 1976 and the Good Friday on the 16th of April 1976 was to become a very special day for him, which he remember very well to this day he writes. Weatherwise the sky was lightly overcast but no rain. This is something he remembers very precise because the rather dismal weather conditions were associated to a very special memory of an experience which greatly impressed him. Witnesses of the experience were also his sister Gilgamesha and his brother Metusalem as wells as his mother, Hans Schutzbach and Amalie (Amata) Stetter.


	This event is about an experience where also the cantonal police appeared to inquire about what was occurring – The circumstances were as follows: While living in Wihaldenstrasse 10, in 8340 Hinwil, his father <Billy> Eduard A.Meier told his mother as well as Hans Schutzbach and Amata Stetter that he would proceed to an area called Frecht, outside of Hinwil, with a tape recorder, because he was going to make recordings of the buzzing-sound of Semjase’s beam ship there, as he had just been informed telepathically by the beam ship pilot.		This event is about an experience where also the cantonal police appeared to inquire about what was occurring – The circumstances were as follows: While living in Wihaldenstrasse 10, in 8340 Hinwil, his father <Billy> Eduard A.Meier told his mother as well as Hans Schutzbach and Amata Stetter that he would proceed to an area called Frecht, outside of Hinwil, with a tape recorder, because he was going to make recordings of the buzzing-sound of Semjase’s beam ship there, as he had just been informed telepathically by the beam ship pilot.


	He therefore prepared his tape recorder whereby Atlantis saw how he ripped open the packaging of a new audio cassette and inserted the tape into the recorder which Hans Schutzbach took and asked if all of them could come along to the recording location. On the answer in the affirmative from his father, he and the two other children, his mother and Amanda Stetter stepped into Hans Schutzbach’s car in which they drove behind their father, who travelled in front with his moped.		He therefore prepared his tape recorder whereby Atlantis saw how he ripped open the packaging of a new audio cassette and inserted the tape into the recorder which Hans Schutzbach took and asked if all of them could come along to the recording location. On the answer in the affirmative from his father, he and the two other children, his mother and Amanda Stetter stepped into Hans Schutzbach’s car in which they drove behind their father, who travelled in front with his moped.


	When they arrived in the Frecht area, about two kilometre outside of Hinwil, they got out of the car and walked together with his father about 150 meter into the somewhat swampy area where they were instructed to wait whilst his father received the tape recorder from Hans Shutzbach and walked towards a pile of wood about 50 to 60 meters away, which towered about one meter above the ground. Atlantis then saw, as did the others, that he placed the recorder on a thick pole and pressed a button.		When they arrived in the Frecht area, about two kilometre outside of Hinwil, they got out of the car and walked together with his father about 150 meter into the somewhat swampy area where they were instructed to wait whilst his father received the tape recorder from Hans Shutzbach and walked towards a pile of wood about 50 to 60 meters away, which towered about one meter above the ground. Atlantis then saw, as did the others, that he placed the recorder on a thick pole and pressed a button.


	For three or four minutes nothing happened, which is why Atlantis run after him and asked why he had placed the tape recorder on the massive pole. He explained to him that he wanted to record the buzzing sound from Semjases’s beam ship this way. Atlantis at the time did not yet understand his words as he did not know what he was to understand from the word <buzzing> sound. But his explanation satisfied him wherefore he went back to mother, his sister and brother, Hans Schutzbach and Amata Stetter.		For three or four minutes nothing happened, which is why Atlantis run after him and asked why he had placed the tape recorder on the massive pole. He explained to him that he wanted to record the buzzing sound from Semjases’s beam ship this way. Atlantis at the time did not yet understand his words as he did not know what he was to understand from the word <buzzing> sound. But his explanation satisfied him wherefore he went back to mother, his sister and brother, Hans Schutzbach and Amata Stetter.


	Then it happened: With a deafening volume, from high above his father sounded a powerful sound – the buzzing sound from the beam ship, as it had been previously announced. Immediately after the sound started resonating painfully in his ears, from a farm about 200 meters away sounded a painful and very loud howling of a dog, which shortly after changed into a tormented barking, just like when an animal is scared to death. That, he was able to in particular remember because the dog not only barked, but it howled and yelped real depressingly. He therefore somehow felt a painful fear inside which is why he turned to his mother and said that hopefully the dog would not break loose, run over to where they were and attack them.		Then it happened: With a deafening volume, from high above his father sounded a powerful sound – the buzzing sound from the beam ship, as it had been previously announced. Immediately after the sound started resonating painfully in his ears, from a farm about 200 meters away sounded a painful and very loud howling of a dog, which shortly after changed into a tormented barking, just like when an animal is scared to death. That, he was able to in particular remember because the dog not only barked, but it howled and yelped real depressingly. He therefore somehow felt a painful fear inside which is why he turned to his mother and said that hopefully the dog would not break loose, run over to where they were and attack them.


	The whole thing lasted about 15 to 20 minutes even though everything appeared to him to last longer. Shortly before the tape recording ended, a police car appeared on the meadow road from which two canton policemen climbed out and came over to them with fast steps in order to examine the cause of the buzzing noise. They shouted harshly at them what was going on there, what type of sound the buzzing was etc.		The whole thing lasted about 15 to 20 minutes even though everything appeared to him to last longer. Shortly before the tape recording ended, a police car appeared on the meadow road from which two canton policemen climbed out and came over to them with fast steps in order to examine the cause of the buzzing noise. They shouted harshly at them what was going on there, what type of sound the buzzing was etc.

	Almost simultaneously swooped two jet fighter planes, belonging to the Swiss air force, from under the clouds, for repeatedly to fly crisscross over the area, quite obviously to inspect the area and to determine if there was anything contemptuous they could catch sight of or photograph. But then
	the tremendous buzzing noise also fell silent, as abruptly as it started. He was still able to remember with that how the sudden silence ached in his head, as obviously was the case with the others, in any case Hans Schutzback slapped his flat hands on to his ears, as did his mother.		Almost simultaneously swooped two jet fighter planes, belonging to the Swiss air force, from under the clouds, for repeatedly to fly crisscross over the area, quite obviously to inspect the area and to determine if there was anything contemptuous they could catch sight of or photograph. But then the tremendous buzzing noise also fell silent, as abruptly as it started. He was still able to remember with that how the sudden silence ached in his head, as obviously was the case with the others, in any case Hans Schutzback slapped his flat hands on to his ears, as did his mother.


	After a short sparring match with Hans Schutzbach and his mother the two police men left again. After that the jet planes also disappeared. His father then came with the tape recorder in his hand which he gave to Hans Schutzbach and went to his moped, while he and the others again went to the car and drove behind their father home. As Atlantis learned years later, this incident – the appearance of both the police men as well as the jet planes chasing aground and the loud noise of the buzzing – was denied by the respective authorities in charge.		After a short sparring match with Hans Schutzbach and his mother the two police men left again. After that the jet planes also disappeared. His father then came with the tape recorder in his hand which he gave to Hans Schutzbach and went to his moped, while he and the others again went to the car and drove behind their father home. As Atlantis learned years later, this incident – the appearance of both the police men as well as the jet planes chasing aground and the loud noise of the buzzing – was denied by the respective authorities in charge.


	A comment:		A comment:


	The fact that the Swiss air force also in this instance scrambled jet fighters to the area where the demonstration took place indicates that each time the space ship open up its shield, to become visible or auditable, it also get picked up on radar. The same thing happened on the 14th of April 1976 when a Mirage jet fighter chased around Semjases’s beam ship as she was performing a demonstration flight for Meier, at which time the shield making it invisible obviously was deactivated for photographic purposes.		The fact that the Swiss air force also in this instance scrambled jet fighters to the area where the demonstration took place indicates that each time the space ship open up its shield, to become visible or auditable, it also get picked up on radar. The same thing happened on the 14th of April 1976 when a Mirage jet fighter chased around Semjases’s beam ship as she was performing a demonstration flight for Meier, at which time the shield making it invisible obviously was deactivated for photographic purposes.