Photo Gallery

PHOTO GALLERY

UFO PHOTOGRAPHY
BILLY EDUARD ALBERT MEIER
BEAMSHIPS
EXPLANATIONS
ENGLISH & GERMAN

_“ With the use of the image processing computer, we can now examine UFO craft to much greater detail than ever before. The computer can store all of the information about a picture and improve its visual quality to the point where detail is now visible ... The use of computers puts this data at the fingertips of the researcher.

”

^{Jim Dilettoso, Photo Analysis from the Preliminary Investigation Report, 1982}

Introduction

Billy Meier’s relationship with invisible people began when he was 5 years old, but it took another 30 years a grown man before they allowed him to take a photo of them. We firstly present a selection of photos with descriptions, then there are explanations by Billy Meier himself and FIGU, followed by links to photos sorted by category and toward the bottom of the page are further reading links to investigations.

Gallery

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  Eight unknown bullet shaped illuminating UFOs over New Dehli, India, 19^th May 1964.
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  Three illuminated bullet shaped UFOs against a dark sky sandstorm. Two objects just visible to right edge. 24^th May 1964.
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  Close-up of Asket's ship, 3^rd July 1964.
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  Asket's beamship above Ashoka Ashram (Indian religious retreat). Mehrauli district, Dehli, India. 3^rd July 1964.
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  Asket's beamship above Ashoka Ashram (Indian religious retreat). Mehrauli district, Dehli, India. 3^rd July 1964.
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  Eight unknown bullet shaped illuminated UFOs over New Dehli Railway Station, India. Very large group of witnesses to event 16^th June 1964.
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  Beamship of Asket, above the Ashoka Ashram (Indian religious retreat), Mehrauli district, Dehli, India 3^rd July 1964.
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  Asket's ship in Delhi, India, 3^rd July 1964.
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  Close-up of Asket's aircraft, 3^rd July 1964.
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  Asket's aircraft in Delhi, India, 3^rd July 1964.
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  The Frecht Nature Preserve, outside Hinwil, Switzerland. Semjase's aircraft departing after Contact Report 001 on 28^th January 1975.
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  The Frecht Nature Preserve, outside Hinwil, Switzerland. Semjase's aircraft departing after Contact Report 001 on 28^th January 1975.
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  The Frecht Nature Preserve, outside Hinwil, Switzerland. Semjase's aircraft departing after Contact Report 001 on 28^th January 1975.
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  #1113. The Frecht Nature Preserve, outside Hinwil, Switzerland. Semjase's aircraft departing after Contact Report 001 on 28^th January 1975.
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  #6. Semjases aircraft landed on 27^th February 1975.
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  Semjase's flight device lands on 27^th February 1975.
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  #13. Demonstration manoeuvre flight by Semjase with the aircraft assigned to her, 27^th February 1975.
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  Close-up of the underside of a beamship, 27^th February 1975.
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  Demonstration flight of four Plejaren aircraft, two explorer class beamships and two smaller reconnaissance devices at Jakobsberg-Allenberg, Switzerland, 27^th February 1975.
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  Demonstration flight of four Plejaren aircraft, two explorer class beamships and two smaller reconnaissance devices at Jakobsberg-Allenberg, Switzerland, 27^th February 1975.
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  Demonstration flight of four Plejaren aircraft, two explorer class beamships and two smaller reconnaissance devices at Jakobsberg-Allenberg, Switzerland, 27^th February 1975.
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  The newer Plejaren beamship flies overhead between the communities of Fuchsbüel and Hofhalden in Switzerland on 27^th February 1975.
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  Semjases beamship flying high above Dorf Unter, Balm, taken through porthole of Quetzals beamship, 28^th February 1975.
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  #12. Demonstration flight of a ship and reconnaissance probe, 3^rd March 1975. Artist's sketch of this photo available here
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  #15. The larger beamship was returning to Erra to be retired from service, 3^rd March 1975. See Contact Reports listed by date
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  #494. Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8 March 1975. See Contact Reports listed by date
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  #83. Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975.
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date

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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  #80. Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  #60. Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  Demonstration flight conducted by Semjase's beamship at Ober-Sadelegg, Canton of Zürich, Switzerland on 8^th March 1975. See Contact Reports listed by date
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  Semjase's beamship at Winkelriet, Switzerland on 18^th March 1975.
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  Semjase's beamship at Winkelriet, Switzerland on 18^th March 1975.
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  Close-up of Semjase's ship at Winkelriet, 18^th March 1975.
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  #116. Semjase's beamship at Winkelriet, Switzerland, Europe, on 18^th March 1975.
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  One of the photos taken on 20^th April 1975 at 10:00 am that survived Semjase's attempt to destroy the negatives. The day of Contact report 012 at 3:11 pm.
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  Original 8mm film, Semjase’s UFO disappears in and out in one frame.
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  #62. Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  Close-up of Semjase's ship at Berg-Rumlikon, 14^th June 1975.
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  #61. Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  #638. Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  #93. Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  Demonstration flight by Semjase in her ship at Berg-Rumlikon, 14^th June 1975.
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  Two beamships side by side, photographed from inside a third beamship during Contact Report 027 over Berg-Rumlikon. Rumlikon in the background, Berg-Rumlikon, 25^th June 1975.
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  Two beamships side by side, taken from inside a third beamship during Contact Report 027) over Berg-Rumlikon, 25^th June 1975. Departing for 2 hour 34 minute trip to Mars, Jupiter and Saturn, passing through the asteroid belt.
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  Two beamships side by side, photo from inside a third beamship during Contact Report 027) over Berg-Rumlikon, 25^th June 1975.
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  #55. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #57. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #64. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #65. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #66. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #69. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #71. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #76. Semjase flying with her beamship around a wettertanne (weather pine) 14m height (the tree later eliminated by Semjase). Pfaffikersee in background. 9^th July 1975.
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  #65. #119. #57. #71. Four of Billys photos from 9^th July 1975 superimposed on a background panorama taken in 2001. FIGU distances themselves from the composite, they had nothing to do with the making of it.
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  Heavily criticised. Two prehistoric Earth moons both now gone. Today's moon is the third. Taken by Billy during his Great Journey (see Contact Report 031).
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  Heavily criticised. Taken by Billy during his Great Journey (see Contact Report 031).
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  Steeped in criticism. An insect-like plant. Taken during the Great Journey (see Contact Report 031).
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  Heavily criticised. Edge of a beamship. Taken by Billy during his Great Journey (see Contact Report 031).
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  Bachtelhörnli 15:25, 8^th March 1976.
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  #229. Bachtelhörnli 15:25, 8^th March 1976.
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  Bachtelhörnli, 8^th March 1976.
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  #221. Bachtelhörnli, 8^th March 1976.
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  Bachtelhörnli, 8^th March 1976.
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  Bachtelhörnli, 8^th March 1976.
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  #187. Bachtelhörnli, 8^th March 1976.
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  #187. Bachtelhörnli, 8^th March 1976.
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  #202. Bachtelhörnli, 8^th March 1976.
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  Bachtelhörnli, 8^th March 1976.
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  Bachtelhörnli, 8^th March 1976.
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  #200. Bachtelhörnli, 8^th March 1976.
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  One of the clearest photographs of the type 3 Plejaren beamships. Bachtelhörnli, 8^th March 1976.
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  Bachtelhörnli, 8^th March 1976.
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  #154. Demonstration flight of the latest type of ship by Semjase at Hasenböl on 29^th March 1976.
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  #154. Hasenböl, 29^th March 1976.
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  #151. Hasenböl, 29^th March 1976. (High resolution)
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  #152. Hasenböl, 29^th March 1976. (High resolution)
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  #153. Hasenböl, 29^th March 1976. (High resolution)
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  #155. Hasenböl, 29^th March 1976. (High resolution)
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  #161. Hasenböl, 29^th March 1976. (High resolution)
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  #163. Hasenböl, 29^th March 1976.
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  #164. Hasenböl, 29^th March 1976.
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  Image from page 352 of the ‘Preliminary Investigation Report’, by Wendelle Stevens, 1982
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  #174. Hasenböl, 29^th March 1976. (High resolution)
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  #175. Hasenböl, 29^th March 1976.
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  #175. Hasenböl, 29^th March 1976.
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  #175. Hasenböl, 29^th March 1976. Tree branch in front of ship rim, removing possibility of small model close to the camera.
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  The tree at Hasenböl in 1978.
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  #768. Demonstration flight of the latest type of ship by Semjase at Hasenböl on 29^th March 1976.
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  #171. Demonstration flight of the latest type of aircraft asigned to Semjase to demonstrate at Hasenböl on 29^th March 1976.
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  #176. Hasenböl, 29^th March 1976. (High resolution)
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  #179. Hasenböl, 29^th March 1976. (High resolution). Artist's sketch available here
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  #181. Hasenböl, 29^th March 1976. (High resolution)
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  #157. Hasenböl, 29^th March 1976. (High resolution)
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  Cropped from larger image. Taken on 26^th April 1976.
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  #248. Dassault Mirage fighter jet, Swiss Air Force, making passes of Semjase's beamship, 26^th April 1976.
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  #100. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #101. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland. Hans Jacob and his two daughters Claudia Jacob and Cornelia Jacob, Mr. Liniger, Mr. Leuenberger, Jakobus Bertschinger and two of Billys children – Atlantis and Gilgamesha.
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  #147. High Resolution. 20^th April, 1975 at 10:08. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #139. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland. The photo shows two ships, but is only one. The effect was caused by Semjase jumping from one location to another during exposure time of 1/100 sec, so her ship was captured twice during the same exposure time.
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  #140. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #141. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #142. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #143. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #144. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #145. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #146. 20^th April, 1975 at 10:00. Photographed behind Jakobsberg-Allenberg in the vicinity of Bäretswil, Switzerland.
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  #114. 14^th June, 1975 at 16:00.
  Test spirit-image projection photo over Fuchsbüel-Hofhalden/Ob. Balm-Wetzikon. With Semjase’s help, the three present (Hans Jacob, Jakobus Bertschinger and Leuenberger) were projected onto the film [bottom right], even though standing sideways and behind the camera. Film negative exposed by Mr. Liniger.
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  #138. 20^th May, 1975 at 15:00. Beamship of Semjase over the Wihaldenstrasse in the north in Hinwil, Switzerland. The ship is semi-transparent. The proximity of the vessel and its vibrations may have affected the quality of the film.
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  Photo Inventarium 2014 - cat no. #8.
  20^th May, 1975 at 15:00. Beamship of Semjase over the Wihaldenstrasse in the north in Hinwil, Switzerland. The ship is semi-transparent. The proximity of the vessel and its vibrations may have affected the quality of the film.
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  Showing disc-shaped object surrounded by yellow haze photographed by Guido Moosbrugger on 13^th June, 1976
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  #568. Bar of intense light with a glittering rain of fire falling down. Photographed by Guido Moosbrugger on 13^th June 1976.
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  #269. Photo by Hans Schutzbach on 13^th June 1976
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  More markings from Semjase's beamship. 28^th June 1976.
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  Spiralling method of the grass caused by the radiation arrangement. 29^th June 1976.
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  Billy and Konrad Schutzbach with landing demarcation from Rala's and Menara's ships. Taken by Hans Schutzbach on 29^th June 1976.
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  Konrad Schutzbach measuring landing tracks from Rala's and Menara's ships. Photo by Hans Schutzbach on 29^th June 1976.
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  Konrad Schutzbach and Billy measuring ground disturbances caused by Rala's and Menara's ships. Photo by Hans Schutzbach on 29^th June 1976.
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  The smaller ET's who were helping clear SSSC of negative thoughts and impulses. Taken in the basement. 13^th February 1977.
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  Source: Wendelle Stevens collection/Joe Fex
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  Demonstration/presentation of Telekinesis powers by Billy on 30^th April 1977. (click image for explanation)
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  Billy at SSSC with the laser pistol borrowed from Menara. Photo by Menara during Contact Report 078 on 6^th July 1977.
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  Billy on the house premises with the lethal laser gun borrowed from Menara. Photo by Menara during Contact Report 078 on 6^th July 1977.
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  Alena (a lyrian woman) with Menara's electromagnetic weapon during Contact Report 078 on 6^th July 1977.
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  Another picture of Alena with Menara's laser weapon during Contact Report 078) on 6^th July 1977.
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  The full photograph showing Alena with Menara's ancient laser device during Contact Report 078) on 6^th July 1977.
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  Alena with Menara's laser armament, photographed by Billy during Contact Report 78 on 6^th July 1977.
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  Alena with Menara's laser armament, photographed by Billy during Contact Report 78 on 6^th July 1977.
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  Alena with Menara's laser armament, photographed by Billy during Contact Report 78 on 6^th July 1977.
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  Alena with Menara's lethal laser light weapon, photographed by Billy during Contact Report 78 on 6^th July 1977.
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  The perforation by the laser light beam from the gun fired by Billy after it passed through the tree he shot at.
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  The damage done by the laser beam from the gun fired by Billy after it passed through the tree he shot at.
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  The damage done by the laser beam from the gun fired by Billy after it passed through the tree he shot at.
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  A close-up of the damage done by the laser beam from the gun fired by Billy after it passed through the tree he shot at.
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  Another tree Billy shot with the laser gun.
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  The tree that Billy shot with Alena's laser gun rifle.
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  Electomagnetic visible spectrum high intensity beam device gun weapon.
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  Electomagnetic visible spectrum high intensity beam device gun weapon.
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  Electomagnetic visible spectrum high intensity beam device gun weapon.
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  Electomagnetic visible spectrum high intensity beam device gun weapon.
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  Electomagnetic visible spectrum high intensity beam device gun weapon.
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  Electomagnetic visible spectrum high intensity beam device gun weapon.
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  The section of the tree which, in 1977, Billy was permitted to shoot with Alena's laser gun, now preserved in a glass case at the Semjase Silver Star Center in Switzerland.
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  Demonstration of spoon bending through the use of spirit power (technically Materialkinesis) by Billy on 31^st December 1977.
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  Demonstration of spoon bending through the use of spirit power (technically Materialkinesis) by Billy on 31^st December 1977.
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  Demonstration of spoon bending through the use of spirit power (technically Materialkinesis) by Billy on 31^st December 1977.
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  Demonstration of mental powers (Supernatural) by Billy on 21^st September 1978.
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  Demonstration of mental powers (Supernatural) by Billy on 21^st September 1978.
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  #716. One of the ships of the energy dwarf race directly over the parking lot, 19^th April 1979.
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  Pure energy spaceships of a dwarf human race from the area of Andromeda, located above the parking lot of the Semjase Silver Star Center (SSSC). Such ships have the ability to change their forms.
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  #720. An energy vessel over the parking lot, 19^th April 1979.
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  #720. 22.6.79, 2:40 AM. One of the Energy Ships above the parking lot of the Centre. The cars that were in the radiation area of the Energy Ships, needed about 5 litres more fuel per 100 km after the disappearance of the ships.
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  #724. High Resolution. 22.06.79 at 5:25 AM. One of the energy ships, fading in the daylight, in the west direction from the Center.
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  #725. High Resolution. 22.06.79 at 5:25 AM. One of the energy ships, fading in the daylight, in the north-west direction.
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  #728. 23.06.79 at 4:20 AM. Two energy ships above the parking lot of the Centre. Only a radiation light from the second ship is visible in the picture on the right.
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  #721. Source: Contact Report 123, Plejadisch-plejarische Kontakberichte, Gespräche, Block 3 (2004).
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  #722. 22.6.79 at 3:16 AM. One of the Energy Ships at a distance of about 800 meters in the north direction.
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  #723. 22.06.79 at 3:35 AM. One of the Energy Ships just before the northeast horizon, approximately 500 meters high.
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  Source: Und sie fliegen doch! (2001/2004)
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  #728. Energy vessels over the parking lot, 23^rd June 1979.
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  #1007. High Resolution
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  #1006. High Resolution
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  #1004. High Resolution
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  Billy standing next to a landing track on 15^th May 1980.
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  Quetzal's ship in front of the FIGU center on 22^nd October 1980. (From Guido Moosbrugger's book "And still they fly!")
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  #799. Quetzal's ship in front of the FIGU center on 22^nd October 1980.
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  #800. Quetzal's ship in front of the FIGU center on 22^nd October 1980.
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  #803. Quetzal's ship in front of the FIGU center on 22^nd October 1980.
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  #807. Quetzal's ship in front of the FIGU center on 22^nd October 1980.
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  See Contact Report 144 from 26^th March 1981.
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  See Contact Report 144 from 26^th March 1981.
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  See Contact Report 144 from 26^th March 1981.
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  See Contact Report 144 from 26^th March 1981.
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  See Contact Report 144 from 26^th March 1981.
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  See Contact Report 144 from 26^th March 1981.
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  Quetzal's ship called by Billy as "The Wedding Cake", hovering over his car on the 26^th March 1981.
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  #836. The "wedding-cake" ship sitting on a second ship approx 40 meters from the ground. See Analysis of the Wedding Cake UFO by Rhal Zahi
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  Quetzal's ship on top of a tree.
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  #844.
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  #846.
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  #848. Near Hinwil, 4^th April 1981.
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  #848.
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  #850. See Analysis of the Wedding Cake UFO by Rhal Zahi
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  #850.
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  #850. Enhanced, shows details of the tree in front of a WCUFO of 7 meters in diameter. See Analysis of the Wedding Cake UFO by Rhal Zahi
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  #851. Quetzal accidentally knocked this tree over with his ship.
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  #852.
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  #853.
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  #862. The top of the tree Quetzal accidentally knocked over with his ship. This part of the tree is visible in some of the other photographs.
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  #147 v1. See Contact Report 147 from 28 July 1981.
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  #147 v2. See Contact Report 147 from 28 July 1981.
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  #147 v3. See Contact Report 147 from 28 July 1981.
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  Bottom of a Beamship. 28^th July 1981.
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  This is the bottom of Quetzal's ship. 28^th July 1981.
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  #999. 28 July 1981.
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  #1000. 28^th July 1981.
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  #873. 28^th July 1981.
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  #925. 21^st September 1981. Quetzals beamship hovers and rotate about 10 meters above the parking lot, while burning static energy which has a rotating effect with the ship. Billy stands in this fire ring and holds a microphone above. See Contact Report 148.
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  #808. Hovering above the SSSC.
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  #808. Details of the coloured crystals and the lenses. A blue lens is inside of one sphere.
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  #808. Reflection on one of the spheres. Carriage House visible. A little brown mark might be Billy Meier. At the right; sketches of the Building wall and Billy profile. Only a 3.5 meters UFO can produce this reflection.
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  #873. WCUFO at night (left). On the right, enhanced image shows a terrain below the UFO with a pole. If the pole is 1 meter tall, this UFO is 7 meters in diameter.
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  #841. 3^rd April, 1981 at 13:20. Zoomed and enhanced. Notice the shadows casted by the WCUFO on the tree branches that is fully visible here. The sun is behind the photographer (Meier). These shadows are the same as the ones shown in Photo #844.
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  #844. The bottom of the WCUFO displays a dark shadow at the left, reflecting the nearby tree. Notice the shadow casted by this WCUFO on the tree branches. This tree is a big one, not a little tree or a bonsai. WCUFO of 7m
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  #841. Enhanced and zoomed. The WCUFO of 7 meters is casting a shadow on the branches.
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  #1059. Click image for more info. See Contact Report 117.
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  Metal samples
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  Metal sample detail
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  Metal sample detail
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  Metal sample detail
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  Photo of Menara's ship by Edith Beldi on 22^th April 1998.
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  Photo of Enjana's ship taken by Silvano Lehmann on 6^th July 2000. Click image for explanation.
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  Close-up of Enjana's ship in photo taken by Silvano Lehmann on 6^th July 2000.
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  Sudor's beamship photographed at night on 5^th June 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  Sudor's beamship photographed at night on 5^th June 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  Sudor's beamship photographed at night on 5^th June 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  Sudor's beamship photographed at night on 5^th June 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  Sudor's beamship photographed at night on 5^th June 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  Ptaah’s beamship photographed during the afternoon of 20^th August 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  Ptaah’s beamship photographed during the afternoon of 20^th August 2001 by a man who simply called himself "Ein Pirgler" and otherwise wished to remain anonymous.
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  The apple Billy gave to Guido Moosbrugger, which Billy received from Semjase during Contact Report 109.
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  Billy's hand next to fingerprints of a 7 fingered ET.
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  When an extraterrestrial leaned on Billy's car for a moment.
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  The natural acids of his skin caused the hand print to happen.
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  Close-up hand print made unintentionally by an extraterrestrial human being during a contact with Billy.
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  All of the Eduard Meier books published in the English language at the time it was taken. Photo by Benjamin Stevens.
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  The FIGU Semjase Silver Star Center in 1981.
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  FIGU Semjase Siver Star Center.
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  The Semjase Silver Star Center's approach.
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  In front of the Semjase Silver Star Center.
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  Sculpture at the Semjase Silver Star Center.
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  Plaque at the entrance of the Semjase Silver Star Center.
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  The FIGU garden at the SSSC.
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  Field where Menara once landed her ship when she visited the Center.
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  Young Eduard Albert Meier at about age four in 1941.
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  Eduard Albert Meier at eight years of age in 1945.
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  Eduard Meier's passport photo.
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  Eduard in Paris at age 25, 1962.
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  Eduard with King Hussein during his travels in the Middle East.
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  Eduard in Mehrauli, Delhi, India in the 1960's.
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  Eduard when he was known as "The Phantom" when he professionally detained serial killers and mass murderers in the Middle East.^{[citations needed]}
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  Eduard (right) in Jordan in 1963. Marcus Isa Rashid (middle) who was the co-discoverer of the Talmud Jmmanuel.
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  Close up of Marcus Isa Rashid and Eduard.
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  Eduard in Pakistan before he lost his left arm in a bus accident. He got the name 'Billy' around this time, because of his appearance at this time.
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  Article from The Statesman newspaper, 30^th September 1964.
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  This is Billy's family in December of 1974, about a month before the official contacts with the Plejaren began.
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  A photograph of Billy in 1977, two years after the first contact with Semjase.
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  UFO…Contact from the Pleiades, Vol. 2, pg. 43, 1983
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  Billy on the phone in 1977. From "The UFO Encyclopedia, 2nd Edition - The Phenomenon from the Beginning" by Jerome Clark.
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  When asked how he took his UFO photos, Billy replied, "I just hold the camera like this, and I push this button... and it works."
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  Billy in 1980.
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  Billy and Shirley McLaine in 1981, when she visited the Center.
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  Billy in 1990, demonstrating the position he was in when he was struck by lightning. This represented another assassination attempt, this time from a group of extraterrestrials.
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  Billy at the Passive Group Members meeting at the SSSC in 1995.
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  Meier during an interview with Jaime Maussan of TELEVISIA, 21 February 1998.
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  Source: Wendelle Stevens collection/Joe Fex
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  Another asassination attempt on 8^th June 1998.
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  'Billy' Eduard Albert Meier and Michael Hesemann on an on-site investigation around the year 2000.
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  Billy swatting a fly. SSSC in 2005.
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  Billy in 2007.
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  Billy in 2007.
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  Billy during the filming of "The Silent Revolution of Truth" in 2007.
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  Billy during the filming of "The Silent Revolution of Truth" in 2007.
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  Billy and some of the FIGU core group members. From left to right: Engelbert Wachter, Jacobus Bertschinger, 'Billy' Eduard Albert Meier, Silvano Lehmann, and Guido Moosbrugger.
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  Billy at the Semjase Silver Star Center in 2010. (High resolution FIGU wallpaper)
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  Billy at the Centre in May 2011. Endangered sphinx moth.
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  Michael Horn giving a seminar on 29^th May 2011. Meier is pictured on the screen behind him, departing for a contact on his motorbike.
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  Michael Horn giving a seminar on 29^th May 2011. Meier is pictured on the screen behind him, departing for a contact on his motorbike.
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  Michael Horn giving a seminar on 29^th May 2011. Meier is pictured on the screen behind him, departing for a contact on his motorbike.
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  18 witnesses who could theoretically swear an oath in a court of law about what they have seen and experienced.
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  Billy Meier and the FIGU Core Group 49 from Photobuch p81.
  Sitting on the ground in the front row (L to R): Jacobus Bertschinger, Christina Gasser, and Philia Stauber.
  Sitting in the second row (L to R): Eva Bieri holding Selina Beiri, Edith Beldi, Maria Wächter, Engelbert Wächter, Louis Memper, Guido Moosbrugger, Elisabeth Moosbrugger, Andrea Grässl, Simone Holler, and Brigitt Keller. First row standing (L to R): "Billy" Eduard Albert Meier, Atlant Bieri, Stephan R., Brunhilde Koye, Bernadette Brand, Karin Wallen, Christian Krukowski, Freddy Kropf, Günter Neugebauer, Barbara Harnisch, and Conny Wächter.
  Back row (L to R): Pius Keller, Natan Brand, Wolfgang Stauber, Christian Frehner, Hans Lanzendorfer, Piero Petrizzo, Aroona Wächter, Andreas Schubiger, Silvano Lehmann, Elisabeth Gruber, and Madeleine Brügger.
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  Jehova drawn by Semjase on 3^rd December 1975.
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  A sketch of Jmmanuel. By Semjase during Contact Report 041, 31^st December, 1975.
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  Sfath, father of Ptaah and grandfather of Semjase. Eduard’s earliest teachers, he passed away when he was a young boy.
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  Sfath, drawn by Ptaah on 15^th May 2000.
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  Asket handdrawn by Christian Krukowski in 1978.
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  Asket, Billy’s second teacher and mentor after Sfath.
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  Semjase drawn by Christian Krukowski in 2000.
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  Semjase drawn by Christian Krukowski in 2000
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  Another portrait of Semjase, not original by Dejan.
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  Quetzal drawn by Ptaah on 15^th May 2000.
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  Drawing of Quetzal.
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  Self-portrait drawn by Ptaah on 15^th May 2000.
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  Portrait of Ptaah.
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  Drawing of Florena, another Plejaren.
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  Description of Ptaah and his daughter Semjase.
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  Different Plejaren alphabets and their sounds.
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  Correlation between Hebrew and Plejaren alphabets image 1 of 4. See The_Plejaren#Languages
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  Correlation between Hebrew and Plejaren alphabets image 2 of 4. See The_Plejaren#Languages
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  Correlation between Hebrew and Plejaren alphabets image 3 of 4. See The_Plejaren#Languages
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  Correlation between Hebrew and Plejaren alphabets image 4 of 4. See The_Plejaren#Languages
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  Different types of Beamships used by the Plejaren.
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  Der Lageort unseres Sonnensystems / The location of our solar system – pg 18 image.
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  Landing track of Menaras ship, created during a lightning fast flying visit on 23/11/1977 at 09:05 am, during the time Billy's wife was away in neaby town Schmidruti for about 10 minutes taking children to school (ice thickness 12cm).
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  Billy, in the same position in front of the stone, in which he was struck by lightning. Photo from the 24^th of April, 1990: Freddy Kropf.
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  The surface hole in the stone, caused by the lightning’s impact. Photo from the 24^th of April, 1990: Bernadette Brand.
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  Main piece of the tree crown, in which the lightning entered and shattered this. Photo from the 24^th of April, 1990: Freddy Kropf.
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  Engelbert Wächter holds the 5.5-meter tall crown piece of birch that was knocked down by lightning, which had gotten stuck in the branches of the tree and was taken down three months later. Photo from 23rd July, 1990 Freddy Kropf.
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  Carriage house car park
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  Same as crop used in X-Files season 1-3 "I want to believe" poster.
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  Ober-Sadelegg, Switzerland in 2009.
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  Comparison of Ober-Sadelegg in 2009 with Billy Meier's photo of Semjase's ship over Ober-Sadelegg on 8^th March 1975.
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  Billy demonstrating Semjase's flight path over Ober-Sadelegg, Switzerland, on site with his accompanying photo series, to Lt. Colonel Wendelle Stevens and Lee Elders, in the documentary "Contact".
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  Wendelle Stevens
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  See other slides for description and higher resolution.
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  Wendelle Stevens
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  Wendelle Stevens
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  Wendelle Stevens
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  Wendelle Stevens
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  Fictitious artist representation of the Bafath or Giza Intelligences under the Giza pyramids, Egypt. Until they were penalized by the Plejaren Federation in 1995
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  Ptaahs ship and the largest in the Plejaren Federation fleet which roughly translates into English as The Great Spacer. Fictitious artist representation.
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  The human spiritual evolution chart. Meaning explained by Semjase in Contact Report 006.
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  This is the pyramid of FIGU under which meditations can be accelerated and can instigate geographically localised Reincarnation.
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  A top view of the mediation pyramid, built from specific instructions by the Plejaren, see ebook Downloads section.
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  The structure of the Creation according to the Plejaren, from Contact Report 143. Fictitious artist representation.
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  The structure of the Creation according to the Plejaren. Click image for more info. Fictitious artists representation.
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  The double spiral structure of the Creation.
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  The Plejaren peace symbol and universally recognised peace symbol.
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  The peace symbol in black and white.
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  A peace symbol on another world may look this way, aligned to the flourishing of nature, growing upward.
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  Earths wrong peace symbol.
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  The Spiritual Teaching symbol.
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  The Spiritual Teaching symbol in black and white.
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  The spirit (ghost) (geist) symbol.
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  The Absolute Absolutum symbol.
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  The Primal Absolutum symbol.
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  The peace meditation symbol.
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  The Goblet of Truth symbol.
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  The BEING symbol.
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  The thoughts symbol.
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  The symbol for Creation.
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  The equality symbol.
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  The truth symbol.
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  The friendship symbol.
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  The mission symbol.
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  The Tyranny Despotism symbol.
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  The religion symbol.
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  The human (mensche) symbol.
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  The responsibility (verantwortung) symbol.
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  The modesty (bescheidenheit) symbol.
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  The respect symbol.
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  The life symbol.
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  The becoming and passing away (werden und vergehen) symbol.
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  The personality symbol.
• The neutrality (neutralität) symbol.
  The neutrality (neutralität) symbol.
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  The child symbol.
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  harmony (harmonie) symbol.
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  The solidarity symbol.
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  The knowing symbol.
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  The wisdom (weisheit) symbol.
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  The water symbol.
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  The connection compound (verbindung) symbol.
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  The violence symbol.
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  The perversity symbol.
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  The disregard (missachtung) symbol.
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  The rejection symbol.
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  The revulsion and disgust symbol.
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  The humanity symbol.
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  The duty symbol.
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  The liberty symbol.
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  The mankind symbol.
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  The Semjase Silver Star Center logo.

Additional Galleries

The photos have also been sorted into collections in the following categories: FIGU, SSSC and Billy Meier, People, Symbols, Books, Evidence, Other and the Art Gallery has been sorted this way too Category view: Art Gallery. You may also use the wiki tools Special:NewFiles or Special:ListFiles to view all uploaded files, if you please.

• BILLY MEIER
  FIGU, SSSC
  GALLERY

• PEOPLE
  GALLERY

• SYMBOLS
  GALLERY

• BOOK COVERS
  AND PAGES
  GALLERY

• EVIDENCE
  GALLERY

• ART
  GALLERY

• OTHER
  IMAGERY
  GALLERY

Sources

• Photo-Inventarium / Photo-Inventarium
  Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004.
  With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation,
  why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.
  Source Sample - File:Through Space And Time Sample.pdf
  
  

• Photobuch / Photobook
  Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos
  Including 29 large format colour photos, size: 230mm x 297mm.
  Source Sample

• 

 

• 

Explanations

In contrast to other UFO groups, which deal exclusively with the phenomenon of UFOs, for us the spiritual (geistige) and consciousness (bewusstseinsmässige) background occupies a much higher priority than all ufological concerns taken together. Nevertheless, we cannot and don't want to renounce the topic of ufology, especially since we have the world's most extensive and best evidence that's ever existed. There is no UFO case on this Earth comparable to that of Billy Meier. The extraterrestrial human beings that Billy Meier has been selected and prepared to communicate with and be educated by, have encouraged and assisted him to take over a thousand photographs and film recordings of their many different types of spaceships, beamships, high-technologies and personnel, as well as various other interesting and supporting things. It’s a moderate, modest presentation considering what you’re looking at. [continue reading]

A crop from Billy Meiers photo used in promotion of the fantasy fiction television series X-Files, seasons 1-3. It's proven a more popular image-crop amongst those that want to believe than amongst those that want not know for some reason.

What I Have To Say

Although often referred to as fake, and if fake surely nothing more worth knowing about it, Billy Meier's photographs are used around the world in the press and on television as a means of illustrating reports of UFOs. It's significant that Meier's copyright is regularly disregarded and in all these years he's received only a few very small royalties and in about three cases. The more famous photos in the collection were taken in the 1970’s and early 1980’s. One of which notably ended up being used for the original X-Files series 1-3 "I Want To Believe" TV poster in the 1990's, which demonstrates how fiction is a stronger popular interest than non-fiction and how believing is more interesting than knowing, therefore regrettably that truth isn't commercially viable and profitable.

The lesser known non-famous images by BEAM and by those other photographers at higher resolutions, span a greater time-frame. When the images from India are taken into consideration, from the 17^th of May 1964 to the 5^th of February 2004, and others even to the present day, when vessels from the wider Plejaren Federation are taken into consideration (however it all began much earlier in 1937). The collection includes other interesting things including; archaeological discoveries, drawings, event related happenings, natural and unnatural formations, experiments, geographical imagery, universal symbols and imagery related and in support of specific explanations in the Contact Reports.^{[citations needed]} Its all already heavily steeped in heritage despite first being documented properly in just the second half of the 20^th century. When we consider the tied-in events i.e. mission associated with ancient times,^{[citation needed]} within at least what we from our perspective designate as ancient.^{[citation needed]} The collection isn't particularly clear in terms of origination, context and/or descriptions with the images. There are several dubious images which have been woven in, some supportive, others not so much.^{[citations needed]} Its generally accepted that the independent studying person will be on their own, to make up their own mind about which is which and what is what for themselves.

Billy was not the first nor last to photograph beamships but is the only in the world to have any quantity.^{[citation needed]} Ufology is as big as it is today after just a few decades, not exclusively because of him, but because of a Plejaren Federation and Andromedan High Council decision for limited but open disclosure in the 20^th century.^{[citation needed]} We have been deemed mature enough for a small, lesser reveal, at this particular stage of our rapid history, because it’s always been as worldwide and openly-concealed as they've said it is,^{[citation needed]} with at least 5 races in a large federation who have been known to quietly visit Earth for some time,^{[citation needed]} and because their life expectancy is roughly 12x our life duration.^{[citation needed]} They've therefore been able to oversee those rapid succession of developments and because Earth is known to have an ancient ancestral extraterrestrial heredity,^{[citation needed]} and we're in the midst of another civilisation restart^{[citation needed]} in the lofty scheme of time. I suppose you could say it's all been a big openly-concealed matter for a long time.^{[citation needed]}

FIGU images put into a computer video game.

The gallery below contains selected images and represents a smaller quantity of the totality of all available imagery. It’s become collectable and a hobby to read and study by many.^{[citation needed]} On the other hand Eduard's claims have been widely characterised globally as fraudulent by carping scientists, sceptics, and most ufologists (the UFO Community ideologically opposes the Meier Case); who say that his photographs, films, evidences etc., are tricks and story is too fantastic.^{[citation needed]} Some find this layering interesting in and of itself.^{[citation needed]} The website does include some of those more sceptical analyses, it covers everything, however the FutureofMankind is mostly focused on the interesting published works, and presenting everything in a neutral way. Other websites are available if your looking for a morbid even macabre tone,^{[citation needed]} you won’t find those kinds of tones and approaches here. The website is somewhat aligned^{[citation needed]} to the FIGU itself (FutureofMankind is not an official FIGU website), which takes a no proselytising,^{[citation needed]} calm, neutral approach to the sceptical. For most and normal readers it has all been presented by FIGU beautifully, and most don’t need or have not needed analysts to know. Frankly those who have found themselves reading the entirety of the works, have discovered that position of FIGU, of not proselytising; refreshing, honourable and on some level revealing, intriguing and enjoyable to continue reading. But no proselytising means you’ll have to decide for yourself what you think about it. Besides, most are capable of finding out by themselves, that it’s possible to have a difference of opinion.^{[citation needed]}

The witnesses speak and think differently about it all than the television documentaries and silence from the authorities has lead that majority to perceiving it to be.^{[citation needed]}

The story behind the photos is after all big.

The hand-drawings of the Plejaren personnel (assigned to Earth and the tasks) at the more so forefront of the exchange, are by several sketch artists who have logically-embellished a more simple original drawing by the Plejaren themselves which Billy has then passed along.^{[citation needed]} The drawings may therefore differ slightly and as they're drawings are never going to be perfectly accurate like a photo. There is a slither of part of one of them with the hair and lazer showing.^{[citation needed]} The reason photos don't show them has several reasons, among those reasons we are told is that by revealing their identity they would no longer be able to walk among us without being identified,^{[citation needed]} and presumably facial recognition technologies may have even allowed authorities to track them,^{[citation needed]} but the most important reason is 'the might of thoughts and feelings'; being as numb as we are and them being as sensitive as they are; or else they wouldn't be able to use telepathy;^{[citation needed]} plastering their images all over the internet may have caused them various problems, being disturbed by all sorts of ignorant signals etc.^{[citation needed]}

If your looking for how a Plejaren looks, look at yourself, in a mirror, or at an average European, African or Asian. That is another aspect covered in the Contact Reports, with the exception of the wider Plejaren Federation, where then there are several types of human that may look different even strange to us. It’s part of why it’s been an open-secret with open-evidence until the 20th century, because they’re waiting for us to realise what we are as independently as possible.

Some of the images are of, near, or taken at the 'Semjase Silver Star Centre', SSSC. They’re usually identifiable by the buildings, features and tree varieties etc.

Symbols of the Spiritual Teaching (Symbole der Geisteslehre), Books#Symbole_der_Geisteslehre.

Nearer the bottom of the collection we’ve included a few of the symbols of the spiritual teaching from the book ‘Symbole der Geisteslehre’. The book contains 601 out of the total of 52,476,812 (52 and a half million) spirit symbols, which Billy has retrieved from the Storage Banks, which required a lot of effort for him.^{[citation needed]} The more complex symbols might have been too difficult to convey.^{[citation needed]} They are used in Spirit-Telepathy (not regular Telepathy / primary-telepathy), a fact which is explained in ‘Geisteslehre No. 17’, p.179.

In the introduction section of the book ‘Symbole der Geisteslehre’, p. XVI, Bernadette Brand describes the value of the symbols as a self-education tool.

".....The symbols of the Spirit Teaching embody not only the concepts they represent, but they contain any of a whole universe of meanings. They generate in the person who deals with them, a new bond / attachment to the symbol and the idea for which it stands for. Occupying oneself meditatively on the symbols of the spiritual teaching in detail, from my own experience, causes an extremely valuable and helpful, self-knowledge, self-education and character development and personality development. The symbols accommodate not only nice and edifying or foreboding and awful ‘images’, but in themselves are very involved, and to deal with them radically and unreservedly, is informative and valuable....."

".....With the feelings and stirrings they evoke in us when we inspect, perceive and deal with them, can be bit by bit a help to us on our stony and laborious path of evolution. Our reactions to the symbols are not neutral, but in fact shaped by our thinking and our personality."

The ability to use Spirit-Telepathy is only available to those who have reached level 4^{[citation needed]} and mastery of primary-telepathy may be a requirement which precedes this. Billy mentioned^{[citation needed]} that only a small percentage of individuals in the Plejaren Federation have developed the ability to use primary-telepathy,^{[citation needed]} and that as far as Earth humans are concerned, our life expectancy is just a little too shy of the amount of time necessary to learn it.^{[citation needed]} Ptaah explained that one of their investigations^{[citation needed]} indicated that Earth, on the whole knows some very basic, baby-shoes, consciousness-related-telepathy, but is some way off primary- and volitional telepathy.^{[citation needed]}

The symbols represent a materialist / coarse material representation i.e. solid image in the visible light spectrum of the electromagnetic spectrum, of what is essentially and inherently pure-material and fine-material indigenously.^{[citation needed]} Which is probably an important fact to know.


So what is the Billy Meier story about? Well opinions vary and you can make your own mind up about it by starting at the Contact Reports page.

Some, asked to describe the story in one word as a good review, have called it a story of dependence.

Evolution by definition is dependant on the starting position. It’s about the Plejaren being at the very top of the ladder of technological dependence. About us approaching the first step of such a dependence, and how if they helped us we would become dependent on them instead of our own ladder; like how the former extraterrestrials who generally live on Earth made the neanderthals dependent in the early days, until the dependence flipped the other way, similar to the relationship between developing-world-aid contributions from the developed nations and mass migration. Dependence on their legal system to do any of what they’ve been granted to do. Dependence of the individual readers past lives and their storage banks as to whether the story will even be understood or picked up. Dependence on sensitivity and soundness of mind. The Prophets dependence on the education given to them, the readers dependency on being able to read and in the language it was written and on translating it. Dependence on religion. Dependence on the internet being developed at the time it was. The mission dependant upon voluntary contribution. Dependence on there being enough wealth generally; wealthy dependent on poor, poor on wealthy. Dependence on health. Dependence on the knowledge of the time. Dependence on the group members stepping up to the task. Dependence on the natural-laws, creative-natural-laws, on the pure-spirit-forms, on their ancestors knowledge of fine-material. Dependence on us sharing a very ancient ancestry with them. Switzerlands dependence on foreigners. Dependence on our genetics limiting time through life-expectancy allowing the schedule to be manageable by them, and since ancient times. Dependant on our ignorance, dependent on the ancient catastrophe which restarted civilization. Dependency on the codex. Dependent on our continued ability to learn, on making mistakes, on doing the wrong thing, and the right one. We’re dependent on each other, and they’re dependent on each other, separate humanities. It’s a story about many dependencies, depending on the readers perspective and the quantity of times they’ve read the archive.

Q: What does this story matter?

A: Well assuming you’ve now read the story in the Contact Reports, which takes some years to get ones head around on it’s own, and your now on that secondary level of what does it matter. Then your probably ready to tuck into the real good advice which is all about making life better and being more successful at whatever you decide to do. It takes going through the story (of Earth and of life) in a similar way that it takes a child to go through school, for individuals to identify it and for it to stand out to them and be clear.

Enjoy.

---

^REFERENCE

• FIGU Strahlschiffe (UFO) Photo Gallery (German) (External)

• FIGU Filmaufnahmen (UFO) Video Gallery (German) (External)
  Filmed in Switzerland by 'Billy' Eduard A. Meier with a Super8 camera, with the exception of the "Bachtel" footage, which was filmed with video camera. The full video sequences were incorporated into the films "Contact from the Pleiades", "Beamship: The Meier Chronicles" and "Beamship: The Movie Footage" and can be watched on youtube and other video sharing platforms.

Photo's FAQ [Show/Hide]

Q: Who took the photos?

A: Most were taken by Billy Eduard Albert Meier, however a fair few were taken by other photographers, see description, reference, source, attached links etc., for all similar questions e.g. who is in the photo, location, investigation, publication etc.

Q: What year were the photo's taken?

A: It varies by image, between the 1960's and 2000's, most of the famous photos were taken in the 1970's, for more info, it's a similar answer as above, most photos have a lengthy documented story attached to them, research it some more.

Q: Why are there tree's and objects in the foreground?

A: Billy was instructed to stand behind things to give the future investigators something to assess distances,^{[citation needed]} with varying success.

Q: How many photos were taken?

A: Over 1500, however many were stolen, sabotaged at the local dark room where he had them developed or replaced to make him look a fool which he had to then withhold,^{[citation needed]} but we have a sufficient quantity. Regarding the photo's by other photographers and images of symbols and drawings etc, there is many more of those and we don't host them all.

Q: When was the computer software photoshop invented?

A: Those types of photo editing technologies were developed some time in the mid to late 1980's. If the question is related to the authenticity of the photo, see the decades of all sorts of different investigations that have taken place in the various links in the sidebar on the left of the website and the external links page has many additional websites on top of that which have investigated various aspects of it all. This is a good investigation: Analysis by Rhal Zahi second edition (PDF)

Q: How did Billy take these with one and half arms?

A: It's more difficult but still possible.

Q: How big are these UFOs?

A: Most have about a 7 metre diameter at their widest, some are half that 3.5 and some are much larger than that, you will have to read the connected links and the Contact Reports is where the details of the photos are explained by Billy and Plejaren.

Q: Why am I attracted to and seduced by the trash-can water-butt lid?

A: It’s a lighter cognitive load and is gratifying.

Q: Why is it only Billy who has such a large collection of UFOs?

A: That is a long explanation, Why Billy Meier? begins to answer it.

Q: I never knew about these UFO's, I thought there were no UFO's

A: There has been decades of suppression for lots of reasons, they don't like what Billy Meier has said about them, he's embarrassed many groups who probably slowed your way here. Now you found the photos, read the information.

Q: What are the spirit symbols?

A: There is a description in the above sections extended reading area.

Q: Why have there been scientific investigations?

A: Because some folks want the truth, some don't allow anything to stand in their way and the extraterrestrials are demonstrating how clever they are while simultaneously how they know the Earth humans are not critical, objective, nor sharp and are fettered in their beliefs etc.

Q: I have taken my own UFO photograph and would like to share it?

A: Future of Mankind only hosts images which Billy Meier himself has seen, asked Plejaren about circumstances, had approved, commented on, included in a publication, the website hosts many such examples if you check. It is because we are honestly and sincerely not interested in the fraud of the ufology community.

Q: How does Billy Meier type on a keyboard like a champion?

A: He has written many Books. The typing speed doesn't necessarily amount to computer literacy, the photos were taken before the personal computer was available, or interest in computer communication, he doesn't email.

Q: Why doesn’t Billy Meier feature in UFO documentaries?

A: It's too much reality than they're prepared to take on, a commercial risk, because it's connected to 6000 pages.

Q: Why are these photos not on television?

A: They have been on television at times, usually with no associated to FIGU and Billy Meier, and the copyright ignored, which has meant the audience hasn't known where to find the information connected to it.

We can't endorse the big UFO fraud documentaries because for every hoax Meier film made, we civilians are harmed indirectly. Billy has published military grade classified information inside, check, and subsequently for every hoax documentary produced, governments around the world realise they can get away with more, because it demonstrates our collective lack of objectivity.

We think it's a shame a bigger television organisation has as yet been unable to pick it up impartially, and reason with it successfully, because there is information and unknown facts inside which would be beneficial, highly valueful and useful to many persons in their lives. But we concede the intellectual challenge has always been way too far reaching for the team at an entertainments organisation to take on. It is a presentation challenge for a film maker like no other.

We can however tell you after all these years of researching it all, that gradually over the decades it has piece by piece been ripped off (except telepathy). So the general public will eventually gain access to all those facts whether it takes longer (too long), only partially formed, or the author is credited or not, either way.

This is also probably why the Books are satisfying to read because it's then the full story.

Q: What is their position on intellectual property and its principles?

A: The photos are under copyright. The FIGU owns most of the images and is in a country which abides by intellectual property principles. If you are also in a country which acknowledges such concepts, rights and principles, then the correct thing to do (as you well know) is to send a copyright royalty to them if the photo is used in a commercial situation. That is the right way because it acknowledges the ownership, value of the work and person, their efforts, and is dignified, honourable, respectful of others, as well as many other good principled things which have allowed our nations to proceed in the format of a healthy independent negotiation. We could gather together several dozen examples of the photos being shown on television all over the world. He has only ever received very small royalties and in only three cases.

Q: Why have you put the rubbishy discrediting photos at the front of the collection and the high resolution images are buried in some obscure page somewhere?

A: They are all presented either here or somewhere nearby. The Future Of Mankind website is for individuals who are engaging a long term, interested study. With the photos, it will take some years for the Consciousness and Ratio to adjust, to be able to look clearly at what you're looking at. Therefore the order and sequencing of the photos isn’t important here. But if you're creating a presentation for the ephemeral, shallow interested, for persons with transitory concentration, then you may wish to select one of the more pertinent attention captivating photos for it. There has in the past been rhetoric used and they've been known to be beat around the bush (occasionally literally where the President Bush family were described long before), but on the whole the point is that it has not been an endeavour to try to convince the reader and audience, because that is the wrong way. The right way is that you research it all and make your own mind up.

Further Reading

In order to be able to understand why the images of Beamships of Plejaran origin identified in the photobook could be made by 'Billy' Eduard Albert Meier - called BEAM, it is necessary to briefly describe the circumstances of the coming about of the photos. But it is also essential to say something about the person BEAM as a human being and as a herald of the modern time and as a contact person to understand why he was commissioned as the only one to take the best ever pictures of extraterrestrial beamships, which are controlled by the human beings of the Plejaren Federation who visit earth.

• Camera Data - Eduards camera and photos in the collection only, not applicable to the other photographers.
• Photo Analysis from the Preliminary Investigation Report - by Wendelle Stevens.
• https://ca.figu.org/ufo-photographs.html
• https://www.figu.org/ch/ufologie/strahlschiffe
• http://theyfly.com/ufo-photo-gallery
• https://theyflyblog.com/photo-gallery/
• http://www.billymeieruforesearch.com/photos-and-videos/space-and-time-travel-pictures-more-photos-of-billy-meier/

Links and navigationFuture f Mankind

• Eduard Meier, Bio, Why him?
• Interviews, Witnesses
• Spirit Teaching, Introduction
• FIGU, SSSC
• Books, Booklets, His Work, Biog
• Contact Reports, Sfath's, Asket's
• FIGU – Bulletins
• FIGU – Open Letters, from Billy
• FIGU – Special Bulletins
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• Recent Changes
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• Gaiaguys Web, TJResearch
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Contact Report Index	Meier Encyclopaedia
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