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Image:MeierMcLaine.jpg|<small>Billy and Shirley McLaine in 1981, when she visited the Center.</small>
Image:MeierMcLaine.jpg|<small>Billy and Shirley McLaine in 1981, when she visited the Center.</small>
<gallery>
Billy Meier & Shirley MacLaine 1981 (935)
</gallery>


Image:Billy1990.jpg|<small>Billy in 1990, demonstrating the position he was in when he was struck by lightning. This represented another assassination attempt, this time from a group of extraterrestrials. <ref>See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "[[And still they fly!]]")</ref></small>
Image:Billy1990.jpg|<small>Billy in 1990, demonstrating the position he was in when he was struck by lightning. This represented another assassination attempt, this time from a group of extraterrestrials. <ref>See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "[[And still they fly!]]")</ref></small>

Revision as of 22:19, 17 November 2020



PHOTO GALLERY

UFO PHOTOGRAPHY
BILLY EDUARD ALBERT MEIER
BEAMSHIPS
EXPLANATIONS
ENGLISH & GERMAN

With the use of the image processing computer, we can now examine UFO craft to much greater detail than ever before. The computer can store all of the information about a picture and improve its visual quality to the point where detail is now visible ... The use of computers puts this data at the fingertips of the researcher.

Jim Dilettoso, Photo Analysis from the Preliminary Investigation Report, 1982


Introduction

Source: https://shop.figu.org/b%C3%BCcher/photo-inventarium (Extract)


British English Schweizer Standarddeutsch

In order to understand why the Beamship pictures of Plejaren origin shown in the Photobuch[1] could have been taken by 'Billy' - Eduard Albert Meier, called BEAM, it is necessary to describe briefly the circumstances under which the photographs were taken. But it is also necessary to say something about BEAM as a person too, as well as being the herald of modern times and as a contactee person,[2] in order to understand why he was the only one who was commissioned to take, probably the best photos ever of extraterrestrial beamships, which are steered by the people of the Plejaren Federation and come to Earth.

Um verstehen zu können, warum die in diesem Photobuch aufgezeigten Strahlschiffe-Bilder plejarischer Herkunft von ‹Billy› -Eduard Albert Meier, genannt BEAM, gemacht werden konnten, ist es notwendig, kurz die Umstände des Zustandekommens der Photos zu beschreiben. Es ist aber auch unumgänglich, einiges über die Person BEAM als Mensch sowie als Künder der Neuzeit und als Kontaktperson zu sagen, um zu verstehen, warum er als einziger dazu beauftragt war, die wohl jemals besten Photos von ausser-irdischen Strahlschiffen zu machen, die durch die Menschen der Plejarischen Föderation gesteuert werden und zur Erde kommen.

Gallery

+[click here to show more]

Additional Galleries

The photos have also been sorted into collections in the following categories: FIGU, SSSC and Billy Meier, People, Symbols, Books, Evidence, Other and the Art Gallery has been sorted this way too Category view: Art Gallery. You may also use the wiki tools Special:NewFiles or Special:ListFiles to view all uploaded files, if you please.


Sources

  • Photo-Inventarium / Photo-Inventarium
    Photographs by Billy Eduard Albert Meier and a selection of his witnesses from 17th May 1964 to 5th February 2004.
    With an explanation as to why BEAM is the proclaimer of the modern times, contact person to the Plejaren Federation,
    why he was supposed to take the best photos of the out of this world beamships and the reason they come to Earth.

    Source Sample - File:Through Space And Time Sample.pdf

  • Photobuch / Photobook
    Linen cover with silver embossing, 4 coloured print, thread-bound, 122 pages, 95 photos
    Including 29 large format colour photos, size: 230mm x 297mm.

    Source Sample

  • Photo-Inventarium
  • Photobuch


Further Reading


Links and navigationFuture f Mankind

Contact Report Index Meier Encyclopaedia
n A B C D E F G H I J K L M N O P Q R S T U V W X Y Z 0-9 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

References

  1. https://shop.figu.org/b%C3%BCcher/photobuch?language=en
  2. https://en.wikipedia.org/wiki/Contactee
  3. Source: (Video still from the feature-length documentary "The Silent Revolution of Truth")
  4. Source: billymeiertranslations.com
  5. Source: billymeiertranslations.com
  6. Source: billymeiertranslations.com
  7. Photo Inventarium 2014
  8. Source: billymeiertranslations.com
  9. 6 Photo Inventarium 2014
  10. Photo Inventarium 2014
  11. Source: billymeiertranslations.com
  12. Source: billymeiertranslations.com
  13. Source: billymeiertranslations.com
  14. 12 Photo Inventarium 2014
  15. 15 Photo Inventarium 2014
  16. 494 Photo Inventarium 2014
  17. 83 Photo Inventarium 2014
  18. See Contact Reports listed by date
  19. 80 Photo Inventarium 2014
  20. 60 Photo Inventarium 2014
  21. 116 Photo Inventarium 2014
  22. (From Guido Moosbrugger's book "And still they fly!")
  23. (analogue video) reel
  24. Berg-Rumlikon, Switzerland, 12th June 1975, 10:40 am.
  25. 62 Photo Inventarium 2014
  26. 61 Photo Inventarium 2014
  27. 638 Photo Inventarium 2014
  28. 93 Photo Inventarium 2014
  29. (Source: FIGU US old external website link Source)
  30. (Video still from the feature-length documentary "The Silent Revolution of Truth" during a cross-fade between the two previous photos)
  31. 55 Photo Inventarium 2014
  32. 57 Photo Inventarium 2014
  33. 64 Photo Inventarium 2014
  34. 65 Photo Inventarium 2014
  35. 66 Photo Inventarium 2014
  36. 69 Photo Inventarium 2014
  37. 71 Photo Inventarium 2014
  38. 76 Photo Inventarium 2014
  39. 65, 119, 57 and 71 Photo Inventarium 2014
  40. Courtesy of J. Jansen. (Thanks to Professor Jim Deardorff http://www.tjresearch.info/moretree.htm)
  41. 229 Photo Inventarium 2014
  42. 221 Photo Inventarium 2014
  43. Source: billymeiertranslations.com link
  44. 187 Photo Inventarium 2014
  45. 187 Photo Inventarium 2014
  46. 202 Photo Inventarium 2014
  47. 200 Photo Inventarium 2014
  48. 154 Photo Inventarium 2014
  49. 154 Photo Inventarium 2014
  50. 151 Photo Inventarium 2014
  51. 152 Photo Inventarium 2014
  52. Photo Inventarium 2014
  53. Photo Inventarium 2014
  54. Photo Inventarium 2014
  55. Photo Inventarium 2014
  56. Photo Inventarium 2014
  57. Photo Inventarium 2014
  58. Photo Inventarium 2014
  59. Photo Inventarium 2014
  60. Photo Inventarium 2014
  61. Photo Inventarium 2014
  62. Photo Inventarium 2014
  63. Photo Inventarium 2014
  64. Photo Inventarium 2014
  65. Photo Inventarium 2014
  66. Photo Inventarium 2014
  67. Photo Inventarium 2014
  68. Photo Inventarium 2014
  69. Photo Inventarium 2014
  70. Photo Inventarium 2014
  71. Contact Report 012 lines 50 - 52
  72. Photo Inventarium 2014
  73. Source: Photo Inventarium, 2014
  74. Photo Inventarium 2014
  75. Photo Inventarium 2014
  76. Photo Inventarium 2014
  77. Photo Inventarium 2014
  78. Photo Inventarium 2014
  79. Photo Inventarium 2014
  80. Photo Inventarium 2014
  81. Photo Inventarium 2014
  82. See Contact Report 015 regarding projection of a persons image spiritually to another place or time.
  83. Source: Photo Inventarium, 2014
  84. Photo Inventarium 2014
  85. Source: Photo Inventarium, 2014
  86. Source: Photo Inventarium, 2014
  87. source of image: the documentary Contact.
  88. Photo Inventarium 2014
  89. (Source FIGU US website old link)
  90. Photo Inventarium 2014
  91. (Source)
  92. (Source external FIGU US link)
  93. (Photo from Guido Moosbrugger's book "And still they fly!")
  94. (Photo from Guido Moosbrugger's book "And still they fly!")
  95. Photo Inventarium 2014
  96. Photo Inventarium 2014
  97. Photo Inventarium 2014
  98. Verzeichnis, 1986
  99. Photo Inventarium 2014
  100. Verzeichnis, 1986
  101. Photo Inventarium 2014
  102. Verzeichnis, 1986
  103. Photo Inventarium 2014
  104. Plejadisch-Plejarische Kontaktberichte Block 3 (2004)
  105. Photo Inventarium 2014
  106. Photo Inventarium 2014
  107. Photo Inventarium 2014
  108. Verzeichnis, 1986
  109. Photo Inventarium 2014
  110. Photo Inventarium 2014
  111. Photo Inventarium 2014
  112. Photo Inventarium 2014
  113. Photo Inventarium 2014
  114. Photo Inventarium 2014
  115. Photo Inventarium 2014
  116. Photo Inventarium 2014
  117. Photo Inventarium 2014
  118. analysis by Rhal Zahi second edition PDF
  119. Photo Inventarium 2014
  120. Photo Inventarium 2014
  121. Photo Inventarium 2014
  122. Photo Inventarium 2014
  123. Photo Inventarium 2014
  124. analysis by Rhal Zahi second edition PDF
  125. Photo Inventarium 2014
  126. Photo Inventarium 2014
  127. analysis by Rhal Zahi second edition PDF
  128. Photo Inventarium 2014
  129. Photo Inventarium 2014
  130. Photo Inventarium 2014
  131. Photo Inventarium 2014
  132. Photo Inventarium 2014
  133. Photo Inventarium 2014
  134. Photo Inventarium 2014
  135. Photo Inventarium 2014
  136. Photo Inventarium 2014
  137. Photo Inventarium 2014
  138. Photo Inventarium 2014
  139. Photo Inventarium 2014
  140. Photo Inventarium 2014
  141. Photo Inventarium 2014
  142. Photo Inventarium 2014
  143. Photo Inventarium 2014
  144. Photo Inventarium 2014
  145. Photo Inventarium 2014
  146. Photo Inventarium 2014
  147. Source
  148. Source
  149. (Video still from the feature-length documentary "The Silent Revolution of Truth")
  150. See Contact Report 236 from 26 April 1990. (From Guido Moosbrugger's book "And still they fly!")
  151. Source
  152. Source
  153. (Video still from the feature-length documentary "The Silent Revolution of Truth")
  154. (Source)
  155. (Source)
  156. Source
  157. Source
  158. Source
  159. (From Guido Moosbrugger's book "And still they fly!")
  160. See Contact Report 039
  161. Jmmanuel - wrongly known today as Jesus Christ
  162. colourised in Photoshop by Dejan.
  163. colourised by Dejan.
  164. A page from the book "And still they fly!"
  165. Semjase informed Meier about the Plejaren Alphabet during Contact Report 31 while on his Great Journey. This is a page from the book "And still they fly!"
  166. See Contact Report 236 lines 204 (Thursday, 26th April, 1990) Semjase Kontakt Berichte Block 13, pg. 2465, 1996; Plejadisch-plejarische Kontaktberichte Band 6, pg. 262, 2005.
  167. See Contact Report 236
  168. See Contact Report 236.
  169. See Contact Report 236.
  170. See Contact Report 236.
  171. Later changed to manufactured fake composite by producers, presumably to avoid alienating those who didnt live in a high precipitation, moderate temperate climate with rare rolling hills surrounded by evergreen conifer forest that included cedar, cypress, Douglas fir, pine, spruce and in order to lower the shows value all the way down to where audiences tastes for entertainment were, in the cheap.
  172. see Contact Report 251.
  173. The universe including all its dimensions and features is said to have this particular configuration, this is how it's said to look, were an image captured of the full formation externally and from quite some distance. Fictitious artists representation.
  174. Most Planets naturally develop some form of similar cultural interpretation. Based in the growing and thriving in nature, where momentum tends to proceed upwards.
  175. The top section is said to resemble a lotus flower or aquatic based flower, water lily however most flowers follow the same growth principles.
  176. We've associated a downward momentum to the flourishing of nature on Earth. Peace tends to occurs when things are permitted to develop normally.
  177. Upside down represents struggling life, anti-life, death, war, anti-flourishing and holds several other denotations and connotations including based with barren manifestation. It doesn't represent peace as popularly thought.
  178. Some eastern cultures have similar iconography and symbolism which has developed over into garden and architectural features.
  179. The underside veins of leaves tend to grow with the natural pattern formulation. The arrangement holds several excellent transfer, supporting and development advantages over others.
  180. The iconography is often associated with marriage and partnership.
  181. Similar to pestle and mortar, ancient Egyptian and Rapa Nui symbols which have held similar values.
  182. Similar to the iconography utilised by the Judaism religion which however is not necessarily befitting of its values yet has been known to be perceived that way. See history of anti-semitism.
  183. Forms of perversity are necessary at certain times of evolution. Similar composition is found in the Union Jack, the national flag of the United Kingdom. Which may upon thought, be advantageous in light of the time schedule and other factors on Earth.
  184. Associated with repulsion. Beamships master repulsing, pushing and pulling of matter, for flight control purposes.
  185. Similar but not the same as the rejection symbol.